Before you read this review, get your Himala, Isang Musikal tickets first before it’s too late. [Update: Tickets are all sold-out]. Believe me and all the reviews, just this once, this is a must-watch. You have to see this musical. It’s the best Filipino musical I’ve ever seen and it could very well become your favorite too.
The Sandbox Collective and 9 Works Theatrical are re-staging Ricky Lee and Vincent DeJesus’ Himala: Isang Musikal based on the 1982 critically acclaimed classic by the late Ishmael Bernal.
After the presscon, I’ve never been more excited to see a musical. Especially that the root material was a film I’ve been watching in Cinema One (formely Pinoy Blockbuster Channel) when I was a child every lazy afternoon. In case you hadn’t already known, Himala‘s story centers on Elsa who claims to have the power of healing after the Blessed Virgin Mary appears to her. News of her miracles spread within and beyond her hometown Cupang attracting thousands of sick and curious followers. This causes an irreversible disturbance to the once sleepy town.
To end its 50th season, the Philippine Educational Theater Association (PETA) is producing a Filipino adaptation of Marsha Norman’s Pulitzer Prize-winning drama ‘night, Mother starring Eugene Domingo as Jessie, making her theatrical comeback, and Sherry Lara as Thelma.
In contrast to PETA’s previous productions, ‘night, Mother doesn’t present a grand narrative (or even a rousing musical number to conclude it). Rather, it is a more intimate performance, giving the audience a glimpse of a night with Jessie and her mother Thelma. Jessie who suffers from epilepsy casually tells her mother that she has long decided to end her life that evening. Thelma, of course, with all the arguments in the world tries to convince her daughter that life is still worth living. For one hour and 24 minutes, happening in real-time, the audience witnesses the struggle between the two, and within themselves, that will keep them on the edge of their seats until the end.
Globe LIVE! and 9 Works Theatrical brings back Alan Menken and Lynn Ahrens’ A Christmas Carol The Musical this December. This year’s re-staging features new stage, new cast and a new Tiny Tim among the many other surprises of this production. I’ve seen last year’s production and I must say, like the source material, it has become timeless. It never gets old and like a child who has longed for Christmas for 12 months, I don’t want it to end.
You know the story of Ebenezer Scrooge (Miguel Faustmann): an old, miserable and selfish man who hates Christmas. He rains on everyone’s parade when everyone else just wants to celebrate and have fun. Then one night, the ghost of his late business partner Jacob Marley (Noel Rayos) warns him to change his ways before it is too late. He tells Scrooge that three spirits would be visiting him to show how his life was, is and will be at Christmas time. Only then would Scrooge realize the true meaning of the holidays: love and family.
“The world will feel the fire and finally know!” – Newsboys, from the musical Newsies
It might be the season for raincoats and umbrellas, but Globe Live and 9 Works Theatrical‘s Philippine staging of Disney’s Newsies still set Philippine theatre ablaze. The Newsies boys were all fired up to let the world know that it’s possible to have all that talent on one stage. The cast spent six months training and rehearsing for a month long production, which was, after watching, definitely not enough.