I love how Sinag Maynila entries take us to places we have never been to or part of the country where you wouldn’t know to be fit for cinematography, just like last year’s Bambanti. Dyamper will be shot in the Dalton Pass that connects Nueva Ecija and Nueva Viscaya. I can only imagine how difficult the production will be. The things we do for cinematic metaphors. I’m also guessing that the three leads are children or boys in their adolescence judging by their names. Can’t wait to see how this will turn out!
2. “EXPRESSWAY” by Ato Bautista
Old-timer Ben needs to do one last assignment before the syndicate boss he works for grants him his much delayed retirement. Assigned to be his partner is neophyte Morris, yearning to prove his worth. This last trip will turn out to be a journey of introspection, self-healing, and redemption.
Is it just me or does the synopsis sound similar to On The Job? The nature of the syndicate is not specified but I do hope it isn’t drugs. Whatever it is, I’m sure the story will be attacked differently.
3. “LILA” by Gino M. Santos
To escape a past that threatens to consume her, a young woman decides to move into a house owned by a warm-hearted landlady, looking for a fresh start and a chance for atonement. The house, however, has other ideas.
I smell a horror flick! This is a first in Sinag Maynila. I’m so excited! I’m just not a fan of film titles with a person’s name. In the long run, films with names tend to become forgettable (except for Bona of course). Well, that’s just me.
4. “MRS.” by Adolf Alix Jr.
70-year old Virginia lives in a bungalow house that stands on an earthquake fault area. When her ever-loyal maid Delia tells her she’d be leaving for good, what follows shows a portrait of a woman and a mother trying to juggle the sad realities of life.
This is very relevant, especially after Metro Manila underwent an earthquake drill recently. Hopefully, people will still recall it next year when the films are shown. Anyway, the premise of the film is very promising and I expect this to be nostalgic and heart-warming. I absolutely love old lady characters. Just don’t kill Virginia please. I will cry for sure!
5. “TPO (Temporary Protection Order)” by Joselito Altarejos
Teresa, an abused wife, attempts to secure her freedom by filing a Temporary Protection Order against her abusive husband only to be caught in the battered system of bureaucracy filled with neglect and indifference.
I’ve always wondered how a TPO helps in actually protecting the victim. I mean, it’s just a piece of paper. If someone wants to get near you, he can do so, unless detected and properly apprehended. In the country, bluntly speaking, I doubt that a TPO can do anything . This could be a big eye-opener for the government. How do we really protect the abused? Do we make it easy for them? Or is this another case of process paralysis?
We have to sit and wait a few more months to see how this new batch of films will deliver. Moreover, I can’t wait to find out which actors will be tapped to play the lead and supporting roles. Sinag 2015 did very well and I hope 2016 will be even more impactful and unconventional.
Are you looking forward to the Sinag Maynila 2016 Film Festival? Which film is your early favorite among the Sinag Maynila 2016 finalists? Sound off in the comments below.